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| store4cds.com - Music - Jeremy Siepmann - An Introduction To Dvorák's Symphony No. 9 ("From The New World") on Audio CD  | An Introduction To Dvorák's Symphony No. 9 ("From The New World") | | U.S. Version - Track listing of this CD may differ from that of your home country. | |
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| 1. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. A quiet beginning, sorrow, syncopation, a [2:38]
2. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Instrumental colour as a prime element: c [0:57]
3. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The opening tune again, with different in [0:32]
4. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The first big surprise: strings, shatteri [0:37]
5. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Cellos and basses take us into a new key [0:32]
6. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Horns, violas, and cellos introduce a new [0:31]
7. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. A tiny detail from the opening culminates [0:43]
8. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Introduction complete [2:05]
9. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. A solo horn introduces the main theme, pe [0:39]
10. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The theme moves to G major; answering phr [0:33]
11. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Long crescendo, tremolo strings, back to [0:39]
12. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Transition to the secondary theme through [1:36]
13. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Three-bar groupings and again the use of [0:34]
14. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The sequence continues to rise, and the f [0:18]
15. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The first violins start off the next phra [0:21]
16. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The violins fall silent; the violas and c [0:09]
17. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. So now we have a two-bar group, made up o [0:07]
18. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The same thing again (through not quite t [0:05]
19. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Transition complete. The secondary theme [1:00]
20. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The 'bagpipe drone' is taken over by cell [0:19]
21. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The tune is taken up by cellos and double [0:57]
22. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The violins continue a patterns of steady [0:33]
23. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Unexpectedly, we find ourselves back with [0:26]
24. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Again we hear the shortened version of th [0:33]
25. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The suspense is heightened as everything [0:25]
26. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. This beautiful flute tune is said to rese [0:47]
27. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. A big crescendo leads to a final statemen [1:16]
28. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The development section begins with a con [1:09]
29. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The beginning of the closing theme is tak [0:18]
30. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Sequential chirping from the oboes based [0:18]
31. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Much of the development comes from a dimi [0:19]
32. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. A tiny detail becomes a major ingredient, [0:31]
33. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Through a sequence of keys so quickly tha [0:37]
34. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The main theme from massed cellos and dou [1:46]
35. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. After that major climax, we arrive at the [1:04]
36. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Dvorák flouts tradition by setting the se [1:10]
37. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. The tumultuous convulsion of the coda bri [3:09]
38. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 1st mvt. Humpty Dumpty: putting the bits back toge [0:20]
39. Symphony No. 9 in E minor ("From the New World," first published as No. 5), B. 178 (Op. 95): First movement [11:36]
40. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The very opening chords unmistakably hera [1:06]
41. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The role of instrumentation in setting th [1:10]
42. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt....and in enhancing the quality of one of [1:29]
43. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The cor anglais is joined by the clarinet [1:08]
44. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. For the closing part of the tune, there i [0:24]
45. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The closing bar is repeated by clarinets [0:28]
46. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. Back to the start to hear the whole of th [2:24]
47. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. A change of scoring: the slow opening cho [1:14]
48. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The changes in scoring are just beginning [2:35]
49. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The flutes and oboes introduce a new tune [1:05]
50. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. A memorable combination of continuous, as [1:28]
51. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. Back in that woodland glade, the light an [1:33]
52. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. The next section is new and forward-looki [1:30]
53. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. An abrupt change of mood, much discussion [2:01]
54. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. Subjectivity and expertise; Sourek and To [5:14]
55. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 2nd mvt. Cue to whole movement [0:10]
56. Symphony No. 9 in E minor ("From the New World," first published as No. 5), B. 178 (Op. 95): Second movement [12:00]
57. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Dvorák, Beethoven and the Scherzo. Dvorák [1:54]
58. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Using a little fanfare, Dvorák further bu [0:21]
59. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. When the theme is revealed, we find that [0:36]
60. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Two little bursts of rhythm povide the se [0:24]
61. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. It is the second half of the theme that d [0:22]
62. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Back to the beginning to hear the whole o [0:48]
63. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Without ever being remotely 'academic' or [0:20]
64. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Dvorák's very Czech love of combining con [2:31]
65. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. A clearly transitional passage, obsessed [0:30]
66. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Sooner than we may have expected, we seem [1:07]
67. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. A new kind of tone quality sheds a subtly [0:35]
68. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. The flutes and oboes now chime in with an [0:21]
69. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt...and the cellos and bassoons take up the [0:43]
70. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. A false alarm: it was not the traditional [0:52]
71. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Soon, after a very rapid build, the Scher [1:13]
72. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. The orchestral texture thins dramatically [1:28]
73. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. The Trio section is reminiscent more of t [0:50]
74. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. In the second half of the Trio, a new tun [1:00]
75. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. The main theme of the Trio returns agains [0:36]
76. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 3rd mvt. Then it is all a matter of repeats, until [1:15]
77. Symphony No. 9 in E minor ("From the New World," first published as No. 5), B. 178 (Op. 95): Third movement [8:07]
78. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Like the first movement, the fourth begin [0:47]
79. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The main theme: an imposing march, introd [0:48]
80. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The main theme, part two. A codetta-like [1:01]
81. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The 'transitional' theme, while outwardly [0:53]
82. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. A point of future obsession [0:16]
83. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The second half of this 'transitional' th [0:16]
84. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The 'obsession' takes root, with a ten-fo [0:57]
85. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The hidden traps in sonata-form terminolo [2:31]
86. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The unexpected entry and subsequent ubiqu [1:23]
87. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. We meet the mice again, now in the cellos [0:36]
88. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. More 'Three Blind Mice' material [0:30]
89. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The mice return to the basement, where th [0:19]
90. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Next, they are back with the clarinets, n [0:18]
91. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Now they return to the high winds, delica [0:15]
92. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Relief, at last: the mice back off, makin [0:34]
93. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The mice yield to woodpeckers (clarinets) [1:07]
94. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The triplets of the 'transitional' theme [0:23]
95. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Reminders of past movements begin to fly [0:28]
96. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. In fact there are three bits of quotation [0:23]
97. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The violas react every time the 'Goin' Ho [0:13]
98. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The rhythm of the opening of the 'Goin' H [0:35]
99. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The march theme reappears as a Mendelssoh [1:55]
100. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. We reach an interesing point: have we hea [1:05]
101. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Perhaps this is it? Back for a reminder o [1:41]
102. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Tovey places the start of the recapitulat [1:27]
103. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The main theme recast in pathetic rather [1:51]
104. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. This unexpected crisis in confidence play [1:49]
105. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The main theme returns - not complete, b [1:30]
106. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. A glorious thematic stew; high drama, a p [0:56]
107. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The dramatic highpoint of the movement, a [1:26]
108. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. The same chords again, this time blasted [1:09]
109. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Now we are into the finishing stretch, bu [1:42]
110. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples: 4th mvt. Summary, context, and cue into the whole [1:05]
111. Symphony No. 9 in E minor ("From the New World," first published as No. 5), B. 178 (Op. 95): Fourth movement [11:05] |
| | | Other Titles by Jeremy Siepmann |
| | | | | | Running Time: Approx. 2:28:15 minutes
Release Date: September 17th, 2002.
Studio: Naxos
Date Added: June 28th, 2005.
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