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| store4cds.com - Music - Various Tests - 106 Demonstration Tracks & Tests on Audio CD  | 106 Demonstration Tracks & Tests | | U.S. Version - Track listing of this CD may differ from that of your home country. | |
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| 1. Music Tests and Demonstrations Tracks: Feux d'Artifice/Firworks [3:56]
2. Music Tests and Demonstrations Tracks: Hora de la Granicesti / Paul And His Orcestra Stinga [3:27]
3. Music Tests and Demonstrations Tracks: Dear Old Dixie / Jazz Grass Ensemble [2:05]
4. Music Tests and Demonstrations Tracks: Jeux Interdits / Arnaud Dumond [2:12]
5. Music Tests and Demonstrations Tracks: 2鋗e Concerto Pour Trompette/2nd / Orchestre Philharmonique des Pays de Loire [3:48]
6. Music Tests and Demonstrations Tracks: "O Dulcis Amor" / Jacqueline Nicolas [3:17]
7. Music Tests and Demonstrations Tracks: Ballet des Coqs / Musica Antique Ensemble [1:41]
8. Music Tests and Demonstrations Tracks: Bransle Doubble / Musica Antique Ensemble [1:01]
9. Music Tests and Demonstrations Tracks: Concerto "La Notte" in G Minor O / Concerto Koln Ensemble
10. Music Tests and Demonstrations Tracks: Scheherazade 4th Movements Excer / Orchestre Philharmonique Des Pays De Loire [7:03]
11. Music Tests and Demonstrations Tracks: Almande / Orues De Saint-Guilhem-Le-Desert [2:01]
12. Music Tests and Demonstrations Tracks: 1st Organ Symphony Excerpts: And / Grandes Orgues de La Madeleine [6:46]
13. Maximum Cutting Level: 1 KHz 0 dB Sans Pre-Accentuation/Emphasis off G [0:30]
14. Left/Right Location and Channel Separation: 1 KHz 0 dB Sans Pre-Accentu [0:30]
15. Left/Right Location and Channel Separation: 1 KHz 0 dB Sans Pre-Accentu [0:30]
16. Frequency Response: 20 Hz/20 KHz, 0 dB Sans Pre-Accentuation/Emphasis o [1:00]
17. Frequency Response: 20 Hz/20 KHz, -20 dB San Pre-Accentuation/Emphasis [1:00]
18. Harmonic Distortion/Tracks with Emphasis off G + D/L + R: 1 KHz, 0 DB [0:15]
19. Harmonic Distortion/Tracks with Emphasis off G + D/L + R: 20 Hz, 0 DB [0:30]
20. Harmonic Distortion/Tracks with Emphasis off G + D/L + R: 50 Hz, 0 DB [0:30]
21. Harmonic Distortion/Tracks with Emphasis off G + D/L + R: 100 Hz, 0 DB [0:30]
22. Harmonic Distortion/Tracks with Emphasis off G + D/L + R: 200 Hz, 0 DB [0:30]
23. Harmonic Distortion/Tracks with Emphasis off G + D/L + R: 500 Hz, 0 DB [0:30]
24. Harmonic Distortion/Tracks with Emphasis off G + D/L + R: 1 KHz, 0 DB [0:30]
25. Harmonic Distortion/Tracks with Emphasis off G + D/L + R: 2 KHz, 0 DB [0:30]
26. Harmonic Distortion/Tracks with Emphasis off G + D/L + R: 5 KHz, 0 DB [0:30]
27. Harmonic Distortion/Tracks with Emphasis off G + D/L + R: 10 KHz, 0 DB [0:30]
28. Harmonic Distortion/Tracks with Emphasis off G + D/L + R: 12 KHz, 0 DB [0:30]
29. Harmonic Distortion/Tracks with Emphasis off G + D/L + R: 15 KHz, 0 DB [0:30]
30. Harmonic Distortion/Tracks with Emphasis off G + D/L + R: 18 KHz, 0 DB [0:30]
31. Harmonic Distortion/Tracks with Emphasis off G + D/L + R: 20 KHz, 0 DB [0:30]
32. Harmonic Distortion/Tracks with Emphasis off G + D/L + R: 1 KHz, 0 DB [0:15]
33. Signal-To-Noise Ratio: Zero Digital Level ("Infinite Zero) /Sans Pre-Ac / Digital Test: 106 Musical Tests And Demonstration Tracks [0:30]
34. Signal-To-Noise Ratio: Zero Digital Level ("Infinite Zero) /Sans Pre-Ac / Digital Test: 106 Musical Tests And Demonstration Tracks [0:30]
35. Analogue Desemphasis Circuit Control: Calibration Reference Tone 1 KHz [0:15]
36. Analogue Desemphasis Circuit Control: Controle du Circuit Analogue de D [1:00]
37. Analogue Desemphasis Circuit Audible Incidence: Music Recorded with Pre [1:11]
38. Analogue Desemphasis Circuit Audible Incidence: Music Recorded with Pre [1:11]
39. Transient Signals Response: Square Waves -6 dB, 400 Hz Sans Pre-Accentu [0:30]
40. Transient Signals Response: Square Waves -6 dB, 1000 Hz Sans Pre-Accent [0:30]
41. Transient Signals Response: Tonebursts 400 Hz, -6 dB Sans Pre-Accentuat [0:30]
42. Transient Signals Response: Tonebursts 4 KHz, -6 dB Sans Pre-Accentuati [0:30]
43. Audible Differences in Quantization: Symphonie Number 6 "From the New W / Slovak Philharmonic Orchestra [0:45]
44. Audible Differences in Quantization: Symphonie Number 6 "From the New W / Slovak Philharmonic Orchestra [0:45]
45. Audible Differences in Quantization: Symphonie Number 6 "From the New W / Slovak Philharmonic Orchestra [0:45]
46. Audible Differences in Quantization: Symphonie Number 6 "From the New W / Slovak Philharmonic Orchestra [0:45]
47. Intermodulation by Crosstalk: 1000 Hz Left/5 KHz, Right, 0 dB Sans Pre- [0:30]
48. Intermodulation by Crosstalk: 5 KHz Left/1000 Hz Right, 0 dB Sans Pre-A [0:30]
49. Intermodulation Distoration: 50 Hz + 7 KHz, G + D/L + R Snas Pre-Accent [0:30]
50. Intermodulation Distoration: 400 Hz + 7 KHz, G + D/L + R Sans Pre-Accen [0:30]
51. Intermodulation Distoration: 19 KHz/20 KHz, G + D/L + R Sans Pre-Accent [0:30]
52. Digital-Analogue Converter Overload Effect: The Moldau Excerpts/1 KHz 0 / Slovak Philharmonic Orchestra [0:30]
53. Digital-Analogue Converter Overload Effect: The Moldau Excerpts/1 KHz + / Slovak Philharmonic Orchestra [0:30]
54. Digital-Analogue Converter Overload Effect: The Moldau Excerpts/1 KHz + / Slovak Philharmonic Orchestra [0:30]
55. Digital-Analogue Converter Overload Effect: The Moldau Excerpts/Music a / Slovak Philharmonic Orchestra [2:06]
56. Digital-Analogue Converter Overload Effect: The Moldau Excerpts/Music w / Slovak Philharmonic Orchestra [2:06]
57. Tests Series #1: Variations of Linear Cutting Velocity of the CD/1, 40
58. Tests Series #1: Variations of Linear Cutting Velocity of the CD/1, 20
59. Tests Series #1: Variations of Linear Cutting Velocity of the CD/1, 25
60. Tests Series #1: Variations of Linear Cutting Velocity of the CD/1, 30
61. Tests Series #1: Variations of Linear Cutting Velocity of the CD/1, 35
62. Tests Series #1: Variations of Linear Cutting Velocity of the CD/1, 40
63. Test Series #2: Combinated Tests; Variations of Velocity - Variations o
64. Test Series #2: Combinated Tests; Variations of Velocity - Variations o
65. Test Series #2: Combinated Tests; Variations of Velocity - Variations o
66. Test Series #2: Combinated Tests; Variations of Velocity - Variations o
67. Test Series #2: Combinated Tests; Variations of Velocity - Variations o
68. Return to Normal Parameters of This Test CD (See Booklet)
69. Test Series #3: Variations of Track Pitch/1, 70 然
70. Test Series #3: Variations of Track Pitch/1, 65 然
71. Test Series #3: Variations of Track Pitch/1, 60 然
72. Test Series #3: Variations of Track Pitch/1, 55 然
73. Test Series #3: Variations of Track Pitch/1, 50 然
74. Return to Normal Parameters of This Test CD (See Booklet)
75. Test Series #4: CD Player Ability to Detect the Degital Signal (HF Dete
76. Test Series #4: CD Player Ability to Detect the Degital Signal (HF Dete
77. Test Series #4: CD Player Ability to Detect the Degital Signal (HF Dete
78. Test Series #4: CD Player Ability to Detect the Degital Signal (HF Dete
79. Test Series #4: CD Player Ability to Detect the Degital Signal (HF Dete
80. Return to Normal Parameters of This Test CD (See Booklet)
81. Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: Scratche
82. Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: Scratche
83. Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: Scratche
84. Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: Scratche
85. Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: Scratche
86. Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: Scratche
87. Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: Scratche
88. Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: Scratche
89. Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: Scratche
90. Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: Scratche
91. Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: Scratche
92. Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: Scratche
93. Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: Scratche
94. Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: Scratche
95. Return to Normal Parameters of This Test CD (See Booklet)
96. Test Series #6: Combined Tests; Drop-Outs Size Variations and Minimum T
97. Test Series #6: Combined Tests; Drop-Outs Size Variations and Minimum T
98. Test Series #6: Combined Tests; Drop-Outs Size Variations and Minimum T
99. Test Series #6: Combined Tests; Drop-Outs Size Variations and Minimum T
100. Test Series #7: Ability to Correct Successive Drop-Outs/Drop-Outs: 2 X
101. Test Series #7: Ability to Correct Successive Drop-Outs/Drop-Outs: 2 X
102. Test Series #7: Ability to Correct Successive Drop-Outs/Drop-Outs: 2 X
103. Test Series #7: Ability to Correct Successive Drop-Outs/Drop-Outs: 2 X
104. Test Series #7: Ability to Correct Successive Drop-Outs/Drop-Outs: 2 X
105. Test Series #7: Ability to Correct Successive Drop-Outs/Drop-Outs: 2 X
106. Test Series #7: Ability to Correct Successive Drop-Outs/Drop-Outs: 2 X |
| | Rating: 
Running Time: Approx. 1:05:36 minutes
Genre(s): Test Discs
Release Date: August 1st, 1989.
Studio: Pierre Verany Records
Date Added: January 4th, 2005.
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